Synopsis of Bibadi sargam: The new generation has badly forgotten the maximum names of the revolutionists who have sacrificed their lives for the motherland. Even, many of the present politicians don’t know which revolutionists had to get on the scaffold! Besides, they don’t even know who self-sacrificed behind the bars or had to embrace death without any trial by the oppression of the administration of British Government. Assuredly, those dedicated souls of the country who fought for the independence, they hadn’t come for taking anything but for giving away only.
Bibadi sargam
Synopsis of Bibadi sargam
The new generation has badly forgotten the maximum names of the
revolutionists who have sacrificed their lives for the motherland. Even,
many of the present politicians don’t know which revolutionists had
to get on the scaffold! Besides, they don’t even know who self-sacrificed
behind the bars or had to embrace death without any trial by the oppression of
the administration of British Government. Assuredly, those dedicated souls of
the country who fought for the independence, they hadn’t come for taking
anything but for giving away only.
Most people of the undivided Bengal haven’t forgotten the names
Binay, Badal and Dinesh. But I strongly believe that many of the independent
Bangladesh don’t know the names of these fearless heroes. Again some people may
know the names of those sapient patriot, simple but conscious, great, valiant
fighter Binay, Badal,Dinesh, but they don’t know about their entire
revolutionary lives. It is also needed to mention that one can’t really know
about Binay, Badal and Dinesh unless you have a clear idea about Bengal
Volunteers Party. The contemporary events have been disposed in order to format
the circumstances of Binay, Badal and Dinesh. Among Binay, Badal and Dinesh,
Binay and Badal committed suicide and Dinesh got on the hanging stage. We pay
our humble respect for those fearless valiant heroes who sacrificed themselves
for the sake of their love to country, land, people and mother-tongue.
1905 AD. The whole country was outraged by the Swadeshi movement due to the
partition of Bengal. By using the unrest of the middle class people, they
started the fight for freedom in an all out manner. Started spreading the
underground organization. The lives that had been deceased in 200 years long
struggle, our offering to those valiant freedom fighters. This is a small
endeavor of us in this forgotten, withered in darkness, stuck by the lapse of
time.
Explanation of the Director:
“Bibadi Sargam” is the 11th production of the troupe. Three consecutive productions at
the s beginning of the year, so everyone had to take some pressures. All the
artists are newcomers except one or two. Many of them might have never
performed on stage before. Yet, the journey of “Bibadi Sargam” starts along
with them. I have seen a surge of sensation in boys and girls of this
generation while talking about the Swadeshi movement. I am grateful to those
friends of mine, who were eager to make it a successful endeavor by day and night
hard labors with an invincible courage and strength. Those who were attached to
this production from the very beginning have shown a great amount of patience,
and my love for those who dropped out, as the newcomers got a chance because of
their dropping out. Though dropping out is not desirable to us. This production
is actually a joint attempt, which is an outcome of the combined little ideas
of my skillful troupe friends. We all wanted to see how a script can become
lively and be shown in front of the audience. Many along with my friends Ramiz
Razu, Mainul Tawhid, Sabuktgin Shuvo, Sujon, Rahul, Raza inspired me to bring
it on stage.
I am grateful to Mir Nasiruddin Uzzal vai, his motivation is behind the
construction of this script. He repeatedly inspired me to bring the heroics of
three revolutionists Binay, Badal and Dinesh on stage. Thanks to Hira vai, our
beloved Ananta Hira for providing me books and information from the huge hoard
of his personal library. This production is decorated by the foot marks of the
newcomers, our labor will be worthwhile if you like it.
Writing & Direction: Shishir Rahman
Premier Show :24 May 2016
Vanue: Jatiya Natyashala, Bangladesh
Shilpakola Academy, Dhaka
Bibadi Sargam Back Stage & On Stage
On Stage:
Artist |
Character |
Ramiz Razu |
Hem Chandra, Narrator |
Mainul Tawhid |
Dinesh Gupta, Narrator |
Rigan Shohag Ratna |
Badol Gupta, Narrator, Corus |
Bandhu Tuhin |
Shurjo Sen, Narrator,Corus |
Suvechha Rahman |
Pritilata Waddedar |
Shabuktaign Shuvo |
Shupati, Judge, Narrator |
Litu Roy |
Gandhi, Lawyer, Corus |
Ahmed Sojan |
Binoy Chandra Bose |
Chaitali Chaiti |
Kalpana, Minu, Narrator, Corus |
Shishir Chowdhury Rahul |
Shawdeshi, Boatman, Purnodash
Baol, Corus |
Nironjon Niru |
Aboni Gupta, Simpson, Corus |
Sojun Gupta |
Hori, Hardson, Jail Watcher,
Narrator, Corus |
Manowara Preity |
New Wife, Corus |
Mahmudul Hasan |
Loman, Corus |
Shohag Rahman |
Modhu, Sarder Patel, Tegard,
Narrator, Corus |
Shwadhin Arush |
Farmer, Jail Watcher, Narrator,
Corus |
Nurjahan Akter Nupur |
Boudi, Corus |
Mithun |
Young Man, Shoileshwar, New Groom
Asst. of Loman, Corus |
Urmil Mazumder |
Shuresh, Asst. Hardson,
Ramkrishna, Ghyanguho, Asst. Tegard, Peyada, Corus |
Mousumi Mou |
Dinesh’s Mother, Corus |
Porosh Ahmed |
Runner, Young Shurjo Sen, Manob,
Young Man-1, Purnendu, Asst. of Tegard, Corus |
Badhan Sarker |
Pushpo, Sheuli, Corus |
Back Stage:
Task |
Name |
Writer & Director |
Shishir Rahman |
Stage |
Shishir Rahman |
Light |
Tawfique Robin |
Music |
Shishir Rahman |
Costume & Props |
Suvechha Rahman |
Music Operator |
Al-Avi Jahan Tushi |
Light Operator |
Ruhul Amin Raja |
Photograph |
Dulu & Belal Ahmed |
Cover, Design & Logo |
Pear Mohammad |
Wig |
Suvashish Dutta Tonmoy |
Make up |
Joni Sen |
Publicity & Publications |
Sarwar Saikat |
Stage Manager |
Ahmed Sojan |
Asst. Stage Manager |
Shishir Chowdhury Rahul |
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